The Bona Dea is a very ancient and holy Roman Goddess of Women
and Healing, who was worshipped exclusively by women. Her true name is sometimes
said to be Fauna, which means "She Who Wishes
Well." Fauna was considered Her secret name, not to be spoken--especially
by men--so She is usually referred to by the name the women called Her: Bona
Dea, or the "Good Goddess". Bona, in Latin, has overtones
of worthiness, nobility, honesty, bravery, health, and rightness, as well as
connections to wealth (a "bonus", even now, means an extra gift, of
money or other good things). The Bona Dea is an Earth Goddess who protects women
through all their changes, and is believed to watch over virgins and matrons
especially. She is skilled in healing and herb-lore, and snakes and wine are
sacred to Her. She blessed women and the earth with fertility, while at the
same time, in a seeming paradox, She was considered by the Romans to be a pure
virgin, chaste and inviolate.
The Bona Dea as Fauna is often linked to Faunus, a fertility
God of the fields, woods and animals, who, depending on the story, can be Her
brother, father, or husband, and whose female counterpart She is supposed to
be. In this role then She is an Animal-Goddess (or Goddess of Fauna,
fancy that), who gives health and fertility to the animals of the forests and
fields. I suspect the original reason the Romans considered Her a virgin was
that She was purely concerned with women; and that this focus, which
by its nature includes female sexuality and childbearing concerns, Underworld
connections, healing, divination, and other typically chthonic attributes of
the dark Earth Goddesses, was so sacred and so exclusive that that purity of
purpose, and the sanctity and respect it commanded, was symbolized by making
Her virgin, much like Artemis.
Men were not allowed to know Her name, never mind speak it, and
they were also forbidden from Her secret festival. There were other taboos concerning
the worship of the Bona Dea: neither wine nor myrtle were to be mentioned by
name during Her secret festival, likely because they were both sacred to Her
and therefore very powerful. According to a late legend seeking to explain these
prohibitions, Her husband, Faunus, the God of the Wild (later equated with the
Greek Pan), came home once to find She had drunk an entire jar of wine. For
being drunk He beat Her to death with a myrtle scourge, and this was why myrtle
was forbidden, and wine had to be referred to by another name. Myrtle most famously
has long associations with Aphrodite, and was used in Roman weddings; but it
was also sacred to Demeter, who like the Bona Dea is a Goddess of the Earth
and Fertility--and, most importantly for the Women's Healing-Goddess Bona Dea,
myrtle was used as a medicine primarily in the treatment of female ailments.
The wine's part in the legend is perhaps to explain why the matrons were drinking
it: under the Republic, matrons were not allowed to drink wine at all, and could
be severely punished if caught. By the late Republic this law was no longer
in effect, though presumably there was still an air of disrespectability to
matrons who drank. The cult of the Bona Dea, of course, is older than the Republic,
and wine must have been an element of Her worship all along, but by calling
it "milk" (which does allude to the Goddess's role as Mother), the
ancient and sacred practices could be reconciled with the rules of Roman society.
Fauna was believed to have oracular powers which She revealed
only to women, and Her prophecies were given at a shrine in a grotto on the
Aventine Hill. The Bona Dia's statue in Her temple on the same hill was depicted
wearing a crown of grape leaves, carrying a scepter (as Queen of the Earth who
represented its fertile power), standing next to a large jug of wine. Other
representations show the Bona Dea as a matron, seated, holding a snake and cornucopia,
symbolizing abundance and all good things. Serpents as symbols of renewal, sexuality,
fertility and the Underworld were sacred to Her, and in Her temple tame snakes
were allowed the run of the place (the "slither of the place?"); one
special serpent was kept near Her statue itself. Her temple also hosted a shop
that sold healing herbs, and may have had a clinic of sorts there as well, for
it is known that the high priestess dispensed medicines from the temple. In
Ostia (the port of Rome, some 15 miles downriver), the Bona Dea had both a temple
complex and a sanctuary across town, and according to the inscription, the Mayor
of Ostia paid for the complex to be built with his own money, which shows that
though She was a women's Goddess, the men honored Her too.
A small shrine, known only from inscriptions, was set up to the
Bona Dea to look over the Insula Bolani. An insula is a glommed-together city
building that usually has shops on the ground floor and apartments above, and
is sometimes as large as an entire city block, though usually several insulae
make up a block. This shrine then was to watch over and keep healthy a fairly
small area or part of a neighborhood, and it has been suggested that She may
have possessed many such small local shrines or statues, indicating a real and
personal relationship with the people, not surprising when it is also considered
that She was most famous for healing eye and ear disorders or infections, a
not-uncommon problem, especially in children.
The Bona Dea had a festival on the first of May that commemorated
the date Her temple was founded; at the ceremony prayers were made to Her to
avert earthquakes. She also had a secret festival, attended only by women, that
took place over the night of the 3rd and 4th of May (and/or December). It was
held during the Faunalia, and was referred to as
the sacra opertum, ("the secret or hidden sacrifice"): at this
ritual sacrifices were made for the benefit of all the people of Rome, something
proper to the realm of a Mother or Earth Goddess who is concerned with the well-being
of all of Her children. On this night the festival was held in the house of
the consul (the chief elected official), and no men were allowed. This taboo
extended even to paintings or statues of men, which were required to be covered
during the rites--and one assumes the consul himself crashed at a friend's place
for the night. The Vestal Virgins officiated, led by the wife of the consul
(probably symbolic of the ancient Queen, on whom fell certain sacred religious
duties), and the house was decorated like a temple with garlands of leaves and
flowers of all kinds, except for myrtle of course, and the women wore wreaths
of grape leaves. A great jar of wine was placed in the room, though it must
be referred to as "milk", and the jar itself was called a mellarium,
or "honey jar". After making libations to the Goddess, music was played
and the women drank and danced.
The Bona Dea's association with wine and dance connects Her with
enlightenment and ecstasy of the Dionysian kind, and with the eternal life-force
and yearly resurrection that is represented by the grape vine. Maybe aspects
of His popular cult were taken into Hers at a later date; for though Her chthonic
nature is original to Her, it is said that in Imperial times Her festivals had
"degenerated" into wild and extravagant affairs of the Oriental (i.e.
Greek mystical) kind. Perhaps though that is just Roman conservatism speaking.
At any rate it was the divine female life-force within the Earth and within
Woman that was celebrated for the benefit and blessing of all the people.
The Bona Dea was connected to many of the forms of the Great
Goddess: as Faula, the wife or lover of Heracles, She was considered an aspect
of Aphrodite; and She was equated with Ops, Maia,
and Acca Larentia. Angitia,
the Serpent-Goddess and Healer of the Marsi, is almost certainly the same Goddess
as the Bona Dea, and the modern Festival of the Serpari (Serpent-Keepers) in
Abruzzo, Italy, which likely derives from worship of Angitia, is held the first
week of May, just like the Bona Dea's festivals. Her chthonic roots were acknowledged
by the ancients in Her association with the Greek Goddesses Medea (a witch who
was connected with serpents), Hekate (Goddess
of the Moon and Magic), Persephone (Queen of the Dead) and Semele (the mother
of Dionysos). Grafted onto the worship of
the Bona Dea was that of Damia, an aspect of the Greek Earth-Goddess Demeter
as She who brings fertility to the crops; the secret sacrifice at the Bona Dea's
festival was called (in Latin) the damium, and Her priestess was called
the Damiatrix.
Epithets: Fatua, Fatuella, (from fatum,"oracle, fate,
destiny"; or from fari, "to speak, talk, or say"), Aurita
(as healer of ear diseases), Oculata Lucifera "She Who Brings Light to
the Eyes" (as healer of eye disorders), Oma, Restituta or Restitutrix ("She
Who Heals or Restores").